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For #Movuary day 5, I decided to do something a little different. Thus, Cheap Plastic Oxygene was born.
This is a cover of Oxygene, Pt. 4 (1976), using slightly tweeked stock sounds from the Move, except for the drums, which I found from a sample pack of vintage drum machines.

I ran into a whole bunch of limitations making this one. There was more I wanted to do, but I ran out of space in the clips, and didn't have any spare pads left for resampling without further compromising stuff. There are a couple of glitches, which I left in there, because imperfections FTW, or something.

With apologies to Jean-Michel Jarre for butchering his fantastic work.

HQ download:
http://www.borris.me/audio/movuary2025/05-Cheap_Plastic_Oxygene.flac

#Movuary day 9:
When Flipper the Dolphin (now known as Deejay Flippa) isn't saving people in the waters of the Florida Keys in the 1960s or whatever, he's in the studio making mad beats about the injustices of the world, with his man Calquale.wav from the 1995 Compton's Interactive Encyclopedia.

Yes, I was, in fact, rather bored a while back. Interestingly, by original Ableton Move broke while I was making this, so I didn't get to finish it until I got the replacement unit.

I have posted this before, but this is a slightly different mix with a couple of bugs fixed and new ones added.

HQ download:
http://www.borris.me/audio/movuary2025/09-They_Call_Him_Flipper.flac

#Movuary day 13:
Point and Click.

This requires a bit of an explanation.

In 1998 (May 19, 1998, specifically), I downloaded some weird, not at all accessible MIDI sequencer thing. I don't remember the name of it. Seems like maybe it had the word art in it somewhere.
Anyhow, I opened it, and clicked on a bunch of unlabeled graphics with my screen reader, which produced this odd thing in E flat pentatonic major.
So, because I'm feeling very uninspired at the moment, I hooked a MIDI interface up to move, and another one to my computer, recorded this MIDI file into Move, added a drum track, and now I'm posting it here. The Melody is unedited from it's original, except for one note that I didn't like.

HQ download:
http://www.borris.me/audio/movuary2025/13-Point_and_Click.flac

#Movuary day 15:
Winter Hates Your Move.

Several years ago, @FreakyFwoof showed me an advert for gillette energizing moisturiser, featuring the phrase "Winter hates your face."
Makes me laugh every time I hear it, especially the way this guy said it.

So, back in December, during a particularly cold, snowy day, I demucsed stems from it, so much as I could, and imported elements into Move to have some fun with it. This is the result.

Drums, bass, the vocal, and the mod-like power chord electric guitar all come from the original advert.

HQ download:
http://www.borris.me/audio/movuary2025/15-Winter_Hates_Your_Move.flac

#Movuary day 16: Axel F.

In December, I had a goal to cover Harold Faltermire's Axel F for the 40th anniversary of the movie Beverly Hills Cop, which was December 5, 2024, using Ableton Move, so I did that.
Being a product of 1984 myself, it just seemed like a good idea.
At the time I did it, this was the most complicated sequence I had ever done on this little four track groovebox. Don't think that's the case anymore.
It's also a demonstration that you can really do a lot with only four tracks and a little creativity. There are lots of "but it only has four tracks" Move haters out there.

There is absolutely no way I will ever get the sounds exactly right using a tool like this. In this case, I'm aiming for close enough to be recognizable, both in terms of the sound and the sequence.

All sounds were stock, except for the kick and snare drums, which really could have been stock, but I found slightly better versions of those sounds in a sample pack and used them instead of the stock versions.

HQ download:
http://www.borris.me/audio/movuary2025/16-Axel_F.flac

#Movuary day 20: It's Thursday!

Well, yeah, but that's also the name of the track.

I woke up this morning feeling crappy, stuffy and headache-y, so I sampled a bunch of angry metal noises from a library called Black Metal, as well as a couple of Korg iKaossilator loops I made in 2016, synced using Ableton Link and sampled from my iPhone using a direct USB C connection (no external DAC), told my non-existent Sharp EL-640 to keep reminding me that it's Thursday, and made a track out of all that.

Appropriately enough, I was dealing with quite an annoying little bug in the current Move beta firmware while making this, so I was rather angry and annoyed. Totally fits.

HQ download: http://www.borris.me/audio/movuary2025/20-Its_Thursday!.flac

#Movuary day 23: Time Is Up.

Seems appropriate to post this today, though it's a thing I made back in October, then finished in November after getting my replacement Move.

I've been away from home for a little over six months, and I'm going back in a few hours, with trepidation for various reasons. Yep, time is up, indeed.

This is based around the dingdong sound from my Radio Shack Vox Clock II talking clock, and the spoken words "time is up." Also features a cheap Russian-made watch going ticktock in the background throughout much of the piece.

HQ download: http://www.borris.me/audio/movuary2025/23-Time_Is_Up.flac

Edited to fix a bad note in the bass line and change some levels in the mix. Thanks for pointing that out, @FreakyFwoof

#Movuary postmortem report:

I came up with the idea to post a track created on Ableton Move every day in the month of February, and, WOOHOO! I succeeded! I suck at following through on things like that.

Almost every track I posted was created the day of posting, or perhaps the night before. A few were older projects that were touched up. Only one was completely unedited from it's original state from when I made it in December.

4 out of 28 tracks were made using an external MIDI keyboard instead of, or in addition to using Move's pads. These were days 10, 19, 21 and 22. Otherwise, everything was either step entered or played live using the pads.

Total running time of all posted tracks: 56 minutes, 7 seconds.

Total directory size of the project, once converted from 32-bit FP wave to 16-bit flac with dithering at compression level 8: 285 MB.

The shortest track was day 7: Radio Move International, which is 37 seconds.
The longest was day 23: Time Is Up, at 3 minutes 34 seconds.

Day 11: 'ya Got Me' had the highest number of boosts.

Day 24: 'Jazz Is Broken' had the most favorites.

Day 12: 'Not A Keygen' was the least loved, both in terms of favorites and boosts.

My personal favorite to actually make was probably day 5: 'Cheap Plastic Oxygene' with day 1: 'Only the Beginning' coming in at a close second.

I really had fun with this project, and learned some things about this device, and myself as a musician limited in space and scope due to lack of all my instruments at the moment.

Turns out having some limitations, like only having four tracks to play with, and only directly supporting 4/4 time signatures unless you get creative with loop lengths makes you think about things in interesting ways, at least in my case.

I would like to once again say how cool it is to have an accessible groovebox at my disposal. Unfinished and undocumented though the screen reader functionality currently is, with a few small things missing, I can pretty confidently say that there really isn't anything I can't do with this device that anyone looking at the display can... Well, OK, let's not talk about the initial setup. That's a bit of an issue right now, but I have some geeky workarounds for those things, and hopefully, that part will improve. But, once it's all set up, even the very few things that don't speak yet are easy enough to work around to the point where I usually don't feel like I'm missing much.

So, anyway, this was fun, and I'm glad I did it. Thanks for coming along for the ride with me.